Joseph Sheridan Le Fanu Checkmate Joseph Sheridan Le Fanu 9781541231672 Books
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Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu’s work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.
Joseph Sheridan Le Fanu Checkmate Joseph Sheridan Le Fanu 9781541231672 Books
I don't want to give the plot away, but I don't think you'll know for sure what's going on until the very end, at which point you'll kick yourself. And that is the point at which you will realise why this book was never made into a movie - you are reading this book as a modern reader THROUGH the eyes of someone at the time. So I was completely fooled but as myself, nope. I wouldn't be if I were part of the story. And neither would you.Just read it! I found myself very drawn to these characters, they are described so well.
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Joseph Sheridan Le Fanu Checkmate Joseph Sheridan Le Fanu 9781541231672 Books Reviews
J. Sheridan Le Fanu's lesser known novel, Checkmate, involves self-interest, dishonesty, deception, revenge, and murder. Sir Reginald Arden, worried by mortgages on Mortlake Hall, is arranging marriage of his daughter Alice, unbeknownst to her, to Lord Wynderbroke, a middle-aged, wealthy peer. Some time previously Sir Reginald had ostracized his fiery, proud, spendthrift son Richard, but nonetheless he temporarily recruits his son's efforts in disguising the family discord from Lord Wynderbroke. Richard sees advantages to himself if Alice marries Wynderbroke, and discredits Mr. Longcluse, a recently arrived wealthy gentleman that has been showing romantic interest in Alice. Meanwhile, we readers are puzzled by Mr. Longcluse's relationship with a French citizen, a Monsieur Lebas, who is unexpectedly murdered in a betting parlor. The plot is further complicated by a murder that occurred some twenty years previously. Harry, a brother of Sir Reginald, was robbed and murdered outside Mortlake Hall. And so goes the early chapters.
The atmosphere is not as dark and threatening as in Le Fanu's highly popular Uncle Silas, but early on there is a vague concern that something is not quite right. A gentleman of apparently good credentials is ultimately revealed to be a formidable, highly wicked man; his meticulous steps to achieve revenge are reminiscent of a carefully played game of chess. The solution to this Victorian mystery is perhaps a little farfetched as it involves rather fanciful surgical techniques practiced by an unethical Prussian doctor. Nonetheless, Checkmate makes good reading and I give it four stars.
Checkmate (1871) is a good example of the sensation novel, a genre popular in Great Britain in the 1860s and 1870s. The Victorian public was accustom to Gothic tales involving adultery, theft, kidnapping, insanity, bigamy, forgery, seduction and murder. However, the sensation novels authored by Wilkie Collins, Mary Elizabeth Braddon, Le Fanu, and others were considered particularly shocking because these crimes take place not in fictionalized Gothic locales, but in familiar Victorian domestic settings.
As editor and owner of the Dublin University magazine, J. Sheridan Le Fanu's literary influence was substantial, but following his death in 1873 his works faded into obscurity. Fortunately for the modern reader, M. R. James, a scholar of medieval manuscripts and a writer of ghost stories himself, helped restored Le Fanu's reputation by editing and reprinting (in 1923) Le Fanu's Madam Crowl's Ghost and Other Stories. Today, Le Fanu's short stories and novels are all available in reprint editions. Some have become television screenplays. Sutton Publishing released a reprint edition of Checkmate in 2000.
I don't want to give the plot away, but I don't think you'll know for sure what's going on until the very end, at which point you'll kick yourself. And that is the point at which you will realise why this book was never made into a movie - you are reading this book as a modern reader THROUGH the eyes of someone at the time. So I was completely fooled but as myself, nope. I wouldn't be if I were part of the story. And neither would you.
Just read it! I found myself very drawn to these characters, they are described so well.
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